13 Volts and 1 Carrot
[somewhere between electricity and the eatable]
I like to think about "13 Volts and 1 Carrot" as a field -
to be examined in terms of movements, gestures, tempo, loundness/silence -
between the electric field and the organic - the eatable.
The sounds I use are also based on this notion,
from natural sounds, to a synthezised sound.
I also like to think of the performance as a dance, sound
performance, a moving sculpture, and a narrative.
In "13 Volts and 1 Carrot" I use my gestural interface Kinesis.